Angelopoulou, G., Kasselimis, D., Goutsos, D., & Potagas, C. (2024). “A Methodological Approach to Quantifying Silent Pauses, Speech Rate, and Articulation Rate across Distinct Narrative Tasks: Introducing the Connected Speech Analysis Protocol (CSAP)”, Brain Sciences, Vol. 14, No. 5, pp. 1-21. https://doi.org/10.3390/brainsci14050466.
Asadi, H., Nourbakhsh, M., He, L., Pellegrino, E., & Dellwo, V. (2018). “Between-speaker rhythmic variability is not dependent on language rhythm, as evidence from Persia reveals”, International Journal of Speech Language and the Law, Vol. 25, No. 2, pp. 151-174. https://doi.org/10.1558/ijsll.37110 [In Persian]
Asiaee, M., & Nourbakhsh, M. (2020). “Durational parameters of speech rhythm, a measure for detection of Persian speakers’ use of disguise?” Journal of Language Researches, Vol. 11, No. 1, Issue 3, pp. 1-23. https://doi.org/10.22059/JOLR.2020.298600.666587 [In Persian]
Barbosa, P. A. (2023). “The Dance of Pauses in Poetry Declamation”, Languages, Vol. 8, No. 1, pp. 1-18. https://doi.org/10.3390/languages8010076
Bates, D., Mächler, M. ., Bolker, B. &, & Walker, S. (2015). “Fitting Linear Mixed-Effects Models Using lme4”, Journal of Statistical Software, Vol. 67, No. 1, pp 1-48. https://www.jstatsoft.org/index.php/jss/article/view/v067i01
Bilmes, J. (1992). “A Model for Musical Rhythm”, Proceedings of the 1992 International Computer Music Conference, ICMC 1992, pp. 207–210.
Blohm, S., Versace, S., Methner, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2022). “Reading Poetry and Prose: Eye Movements and Acoustic Evidence”, Discourse Processes, Vol. 59, No. 3, pp. 159–183. https://doi.org/10.1080/0163853X.2021.2015188
Boersma, P. (2001). “Praat, a System Doing Phonetics by Computer”, Vol. 5, Nos. 9/10, pp. 341-345. https://www.fon.hum.uva.nl/praat/
Boulton, M. (1982). The Anatomy of Poetry, 2nd Ed, Routledge & Kegan Paul, United Kingdom.
Chew, E. (2007). “Tonal Theory for the Digital Age”, In Computing in Musicology, Vol. 15, pp. 51-72.
Dellwo, V., Leemann, A., & Kolly, M.-J. (2015). “Rhythmic variability between speakers: Articulatory, prosodic, and linguistic factors”, Journal of the Acoustical Society of America, Vol. 137, No. 3, pp. 1513-1528. https://doi.org/10.1121/1.4906837
Deo, A. & Kiparsky, P. (2011). “Poetries in Contact: Arabic, Persian, and Urdu”, Linguistic Insights - Studies in Language and Communication, Vol. 113, No. 1976, pp. 145-171.
Ding, N., Patel, A. D., Chen, L., Butler, H., Luo, C., & Poeppel, D. (2017). “Temporal Modulations in Speech and Music”, Neuroscience and Biobehavioral Reviews, Vol. 81, Part B, pp. 181-187. https://doi.org/10.1016/j.neubiorev.2017.02.011
Fabb, N. (2015). What is Poetry ? (UK (ed.); first). Cambridge University Press.
Goldman-Eisler, F. (1956). “The Determinants of the Rate of Speech Output and TheirR Mutual Relations”, Journal of Psychomatic Research, Vol. 1, Issue 2, pp. 137-143. https://doi.org/10.1016/0022-3999(56)90015-0
Horr, N. K., & Luca, M. Di. (2015). “Timing Rhythms : Perceived Duration Increases with a Predictable Temporal Structure of Short Interval Fillers”, PLoS ONE, Vol. 10, No. 10, pp. 1-12. https://doi.org/10.1371/journal.pone.0141018
Ilchenko, O., Boichenko, M., Burka, N., & Humeniuk, I. (2024). Current Trends in Phonetic Studies, Collection of materials from the 7th Round Table with international participation (Issue April), National Technical University of Ukraine "Igor Sikorsky Kyiv Polytechnic Institute", "Politekhnika" Publishing House, 2024-140 pages, ISBN 978-966-990-117-0.
Jakobson, R. (1960). “Linguistics and poetics” in Style in Language, by Thomas A. Sebeok, pp. 1-27.
Khanlari, P. (1966). The Meter of Persian Poetry. Tehran: Bonyad-e Farhang-e Iran. [In Persian]
Krumhansl, C. L. (2000). “Rhythm and Pitch in Music Cognition”, Psychological Bulletin, Vol. 126, No. 1, pp. 159-179. DOI: 10.1037/0033-2909.126.1.159.
Lerdahl, F. (2001). “The Sounds of Poetry Viewed as Music”, Annals of the New York Academy of Sciences, Vol. 930, No. 1, pp. 337–354. https://doi.org/10.1111/J.1749-6632.2001.TB05743.X
Ma'dankan et. al. (2017). “Reviewing the musical component of rhythm of ‘poetry’ and the factors influencing it”, Literary Arts, Vol. 9, No. 1, Issue 18, pp. 39-52. [In Persian]
Makowski, D.; Ben-Shachar, M. S. Patil, I. & Lüdecke, D. (2020). “Methods and Algorithms for Correlation Analysis in R”. The Journal of Open Source Software, Vol. 5, No. 51, 2306. https://doi.org/10.21105/joss.02306
Margulis, E. H. (2024). “Silences in music are musical not silent : An exploratory study of context effects on the experience of musical pauses”, Music Perception, Vol. 24, No. 5, pp. 485-506. https://doi.org/10.1525/mp.2007.24.5.485
Mirzayi, M., Naghshbandi, S., Meisami, H., & Shokri, Y. (2020). “A New Approach to Persian Poetry Meters from Linguistics and Rhythm Viewpoints”, Journal of Linguistics and Rhetorical Studies, Vol. 10, No. 20, pp. 417-448. https://doi.org/10.22075/jlrs.2019.16987.1404
Mousavi, N. (2014). “Comparing vowel quantity in two different ʔaruz poetic recitations”, Iranian Journal of Comparative Linguistic Research, Vol. 4, No. 8, pp. 27-33. [In Persian]
Najafi, A. (2015). On the Classification of Persian Metrical Patterns, Tehran: Niloofar. [In Persian]
Nourbakhsh, M; Ghatreh, F. & Nournamaee, M. (2021). “Duration of CVC Syllables and Segments in the Phonetic Context of Persian Classical Poetry”, Proceedings of the 2nd International Conference on Laboratory Phonetics & Phonology (ICLPP), Alzahra University, Tehran, Iran.
Patel, A. (2010). Music, Language, and the Brain, 1st Edition, Oxford University Press, 520 pages.
Šturm, P. & Volín, J. (2023). “Occurrence and Duration of Pauses in Relation to Speech Tempo and Structural Organization in Two Speech Genres”, Languages, Vol. 8, No. 1, Issue 23, pp. 1-18. DOI: 10.3390/languages8010023.
Tabibzadeh, O. (2012a). “Rhythm in the Persian Folk Poetry: On the Silent Syllable”, The Proceedings of the 8th Conference on Iranian Linguistics, Vol. 1, pp. 493-504. [In Persian]
Tabibzadeh, O. (2012b). Persian Quantitative Meter: An analysis Based on Rhythmic Scansion and Prosodic Phonology, Tehran: Ketab-e Bahar& Institute for Humanities & Cultural Studies. [In Persian]
Todd, N. P. M. (1994). “The auditory “Primal Sketch”: A multiscale model of rhythmic grouping”, Journal of New Music Research, Vol. 23, No. 1, 25–70. https://doi.org/10.1080/09298219408570647
Tsur, R. (2017). “Metre , rhythm and emotion in poetry A cognitive Approach”, Studia Metrica et Poetica, Vol. 4, No. 1, pp. 7-40.
Vahidian Kamyar, T. (1991). On the Origins of Persian Prosodic Meter, 1st edition, Mashhad, Iran: Astan Print Pubs. [In Persian]
Wainwright, J. (2016). P o e t ry: The Basics, 3rd Edition, Routledge, Canada & NY, 288 pages.
Zellner, B. (1994). “Pauses and the Temporal Structure of Speech”, in Fundamentals of Speech Synthesis and Speech Recognition, Edited by: E. Keller, John Wiley & Sons, Chichester, England, pp. 41-62.